A couple screenings of Sumo Lake are taking place next week. Hopefully you can make one of them, but I doubt you'll make both. They're on opposite sides of the globe.
Details on the "Watch" page.
Friday, July 1, 2011
Sunday, June 19, 2011
Sumo Lake - The "Lost" Scene
Mistakes and oversights can happen in the best managed and resourced productions, so when the means of making a film consists of one guy in a messy shed, it would seem inevitable that things go awry.
I always say that part of an animator's brain needs to be an accountant. There's the flow and verve of creative engagement, but that can never get out of sight of the bean-counter in your head that numbers the images, does the math on the charts and timings, and keeps an eye on production output. One of my favourite quotes is from an interview with Tim Burton:
"The unholy alliance of animation is that on one hand you are called upon to be a creative artist, and on the other hand you are called upon to be a zombie factory worker."
Had that hanging above my desk for years to remind myself to hear both callings - in that order. Can't handle zombie factory work? Then don't be an animator. (Try directing instead. It seems to have worked for Tim.)
In the course of the furious few weeks of scribbling Sumo Lake, the Panic Productions line producer must have nodded off, because it wasn't until I had done the shoot and the first edit that I found a small folder of drawings at the back of the shelf for a shot that was intended for the end sequence.
I scanned them and threw them into a movie file and showed them to editor Victoria Cocks when we were doing the final edit a couple days later. We both concluded we didn't need it. We would have missed it if we did. Maybe my Line Producer brain knew something my Director brain didn't.
Here for your viewing pleasure is a clip of the missing 16 frames - a mere 2/3 of a second - that constitutes the lost footage of Sumo Lake. It was to be inserted after the Von Rothcart lizard sends Prince Siegfried Sumo flying of screen at the start of their final encounter. A cut-away just slowed it down.
Enjoy.
I always say that part of an animator's brain needs to be an accountant. There's the flow and verve of creative engagement, but that can never get out of sight of the bean-counter in your head that numbers the images, does the math on the charts and timings, and keeps an eye on production output. One of my favourite quotes is from an interview with Tim Burton:
"The unholy alliance of animation is that on one hand you are called upon to be a creative artist, and on the other hand you are called upon to be a zombie factory worker."
Had that hanging above my desk for years to remind myself to hear both callings - in that order. Can't handle zombie factory work? Then don't be an animator. (Try directing instead. It seems to have worked for Tim.)
In the course of the furious few weeks of scribbling Sumo Lake, the Panic Productions line producer must have nodded off, because it wasn't until I had done the shoot and the first edit that I found a small folder of drawings at the back of the shelf for a shot that was intended for the end sequence.
I scanned them and threw them into a movie file and showed them to editor Victoria Cocks when we were doing the final edit a couple days later. We both concluded we didn't need it. We would have missed it if we did. Maybe my Line Producer brain knew something my Director brain didn't.
Here for your viewing pleasure is a clip of the missing 16 frames - a mere 2/3 of a second - that constitutes the lost footage of Sumo Lake. It was to be inserted after the Von Rothcart lizard sends Prince Siegfried Sumo flying of screen at the start of their final encounter. A cut-away just slowed it down.
Enjoy.
Tuesday, May 31, 2011
More Artwork
Thanks to everyone who responded to the auction of original artwork.
More original artwork has been made available, only this time for direct purchase rather than auction, with 50% of the price going to assist with Japan's earthquake and tsunami relief through Artists Help Japan.
More original artwork has been made available, only this time for direct purchase rather than auction, with 50% of the price going to assist with Japan's earthquake and tsunami relief through Artists Help Japan.
Tuesday, May 24, 2011
100,000 views!
The title says it all. "Sumo Lake" has had over 100,000 views since being posted publicly on Vimeo less than a fortnight ago.
Now I know I haven't had every one of those two hundred thousand eyeballs go the full three minute distance and love every frame of it, but that's still a lot of punters.
Now I know I haven't had every one of those two hundred thousand eyeballs go the full three minute distance and love every frame of it, but that's still a lot of punters.
Just might be something in this whole interweb thingy after all …
Saturday, May 14, 2011
A Good Week for Sumo Lake
Indeed it was. With the passing of the last of the festival entry restrictions holding it back, "Sumo Lake" was put online. The good folks at Cartoon Brew gave it a mention, and the hit counter has been running like a dodgy taxi meter ever since. As of this moment, over 30,000 pairs of eyeballs have gazed upon "Sumo Lake" and along with the many kind and complimentary comments, it's a little overwhelming.
Then last night I had placed in my hands this little beauty for "Best Animation" at the South Australian Screen
Awards. It was a fabulous evening. Those that were there will know it was a memorable event that we'll all have trouble remembering.
Thanks to the Media Resource Centre for being such great hosts, and big thanks to GooRoo Animation for stepping up and sponsoring this award. Onya, guys!
Then last night I had placed in my hands this little beauty for "Best Animation" at the South Australian ScreenAwards. It was a fabulous evening. Those that were there will know it was a memorable event that we'll all have trouble remembering.
Thanks to the Media Resource Centre for being such great hosts, and big thanks to GooRoo Animation for stepping up and sponsoring this award. Onya, guys!
Wednesday, April 20, 2011
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